Sunday, March 23, 2008

Doof Realism a la Courbet

Lately I've been painting landscapes that deal with the Doof as an inanimate object that is part of the landscape. When I was 11 years old, My parents bought me a set of acrylic paints, a pad of canvas paper and some brushes.  I then got an art lesson from my father's friend who had recently took up painting. He showed me how to create a landscape in ten minutes. Later that year, my parents arranged for me to have painting lessons with Minion Kimes, who gave lessons in her home on Saturday mornings. There were seven people painting in a spare bedroom converted into a painting studio. Mrs. Kimes had her paintings stacked against the walls and I would sneak peeks at her still lives, portraits and landscapes. There were only two children there, myself and a girl whose name I can not remember. I do remember that everyone was quiet and busily painted on their paintings. There was a fellow who was making paintings of every Spanish Mission in California. he had a very bohemian haircut and he wore Birkenstocks. Mrs. Kimes, when she accepted me as her student, first had to learn how to use acrylic paints. She and I learned how to use them together. We also composed landscapes out of our imagination at times. It was sort of a collaboration. She would paint on my paintings. I tried to copy what she did.

Now almost 4 decades later, I find myself painting landscapes out of my head again, and now the landscapes have a new feature; a forgotten Doof, left in the wilderness.

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